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JIM VERBURG

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  Untitled (from the series An Accurate Silence)  Oil based paint on frosted Mylar suspended in front of painted matte board, 2016 63 x 42 inches each

Untitled (from the series An Accurate Silence)
Oil based paint on frosted Mylar suspended in front of painted matte board, 2016
63 x 42 inches each

  Installation View, Impermanent Horizon, Galerie Nicolas Robert

Installation View, Impermanent Horizon, Galerie Nicolas Robert

  Untitled (from the series Metaphysical Obstacles and The Acceptance of the Inevitable)   Oil based paint on frosted Mylar, 2016  27 x 22 inches

Untitled (from the series Metaphysical Obstacles and The Acceptance of the Inevitable) 
Oil based paint on frosted Mylar, 2016
27 x 22 inches

  Untitled (from the series Metaphysical Obstacles and The Acceptance of the Inevitable)  Oil based paint on frosted Mylar, 2016  27 x 22 inches

Untitled (from the series Metaphysical Obstacles and The Acceptance of the Inevitable)
Oil based paint on frosted Mylar, 2016
27 x 22 inches

  Untitled (from the series An Accurate Silence)  Oil based paint on frosted Mylar suspended in front of painted matte board, 2016 63 x 42 inches each

Untitled (from the series An Accurate Silence)
Oil based paint on frosted Mylar suspended in front of painted matte board, 2016
63 x 42 inches each

  Untitled (from the series An Accurate Silence)  Oil based paint on frosted Mylar suspended in front of painted matte board, 2016 63 x 42 inches

Untitled (from the series An Accurate Silence)
Oil based paint on frosted Mylar suspended in front of painted matte board, 2016
63 x 42 inches

  Installation View, Impermanent Horizon, Galerie Nicolas Robert

Installation View, Impermanent Horizon, Galerie Nicolas Robert

  Installation View, Impermanent Horizon, Galerie Nicolas Robert

Installation View, Impermanent Horizon, Galerie Nicolas Robert

  Untitled (from the series Metaphysical Obstacles and The Acceptance of the Inevitable)  Oil based paint on frosted Mylar, 2016  27 x 22 inches

Untitled (from the series Metaphysical Obstacles and The Acceptance of the Inevitable)
Oil based paint on frosted Mylar, 2016
27 x 22 inches

  Untitled (Graphite #1 and #2, from the series An Accurate Silence)  Powered graphite on cotton paper 2016, 42 x 28 inches each

Untitled (Graphite #1 and #2, from the series An Accurate Silence)
Powered graphite on cotton paper 2016,
42 x 28 inches each

  Untitled (from the series Metaphysical Obstacles and The Acceptance of the Inevitable)  Oil based paint on frosted Mylar, 2016

Untitled (from the series Metaphysical Obstacles and The Acceptance of the Inevitable)
Oil based paint on frosted Mylar, 2016

  Untitled (from the series An Accurate Silence)  Oil based paint on frosted Mylar suspended in front of painted matte board, 2016 63 x 42 inches

Untitled (from the series An Accurate Silence)
Oil based paint on frosted Mylar suspended in front of painted matte board, 2016
63 x 42 inches

  Installation View, Impermanent Horizon, Galerie Nicolas Robert

Installation View, Impermanent Horizon, Galerie Nicolas Robert

  Untitled (from the series Metaphysical Obstacles and The Acceptance of the Inevitable)  Oil based paint on frosted Mylar, 2016 46 x 33 inches

Untitled (from the series Metaphysical Obstacles and The Acceptance of the Inevitable)
Oil based paint on frosted Mylar, 2016
46 x 33 inches

  Review in Le Devoir, September 17, 2016:  Nicolas Mavrikakis, Painting in the guise of photography: Jim Verburg’s monochrome works evoke old photographic processes, 

Review in Le Devoir, September 17, 2016: Nicolas Mavrikakis, Painting in the guise of photography: Jim Verburg’s monochrome works evoke old photographic processes, 

©2015 Jim Verburg